EFECTO KULESHOV PDF

Play media Example of a Kuleshov sequence, with the last shot changed Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots a plate of soup, a girl in a coffin, a woman on a divan. The footage of Mosjoukine was actually the same shot each time. Vsevolod Pudovkin who later claimed to have been the co-creator of the experiment described in how the audience "raved about the acting But we knew that in all three cases the face was exactly the same.

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Se generaron tres diferentes combinaciones. Posteriormente, las combinaciones fueron mostradas ante una audiencia. En los tres casos, la cara era la misma. Estos tres incluso son mencionados en sus escritos El baile, El hombre creado y El espacio creado.

Las tomas mostraban a Obolenski caminando de izquierda a derecha, a Jojlova caminando de derecha a izquierda, un saludo entre ambos, el hombre apuntando con la mano, una toma del Capitolio y ambos subiendo las escaleras de un edificio blanco.

Sin embargo, las recreaciones del experimento no pueden funcionar de la misma manera. Film Theory: Form and Function. How to read a film: the art, technology, language, history, and theory of film and media Rev. New York: Oxford University Press. The Kuleshov Effect. The critical I pp. New York: Columbia University Press. Definition of absence for completion. Representing illusions: space, narrative and the spectator. Chelsea: Open University Press. The Kuleshov Effect: the influence of contextual framing on emotional attributions.

Social Cognitive and Affective Neuroscience, 1 2 , Cinema Journal, 31 2 , Film History, 8 3 , By: Khokhlova, Ekaterina. Film History, , Vol. Film Quarterly, 29 3 , Kuleshov on film: writings L.

Ronald, Trans. Berkeley: University of California press. Consultado el 3 de diciembre de

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