EGMONT BERT APPERMONT PDF

Listen audio Many writers and composers past and present have used the tragic story of Egmont for their own personal work; Beethovens Egmont Overture is probably the most famous example of this. When the music association Lamoraal van Egmont commissioned me to compose a piece which focuses on this character, I was extremely interested in exploring the depth and inspirational power of this timeless story and to express it in a musical form. Four elements or episodes of the story constitute the dramatic cornerstones of the composition. Egmonts wedding part 1 , Egmonts precarious relationship with Philip II part 2 , his beheading in Brussels part 3 and the rising of the Low Countries against the Spanish suppressors which was the result of his execution part 4. The piece opens with an emotional melody that depicts the person of Egmont and can be heard in various variations throughout the work. This is followed by a cheerful and virtuoso Renaissance dance which recalls the atmosphere of a midth century wedding party.

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Hij voltooide er zijn studies met een dubbele meestergraad in muziekopvoeding en HaFaBra-directie Verdere studies deed hij aan de Bournemouth Media School in Engeland. Als muziekpedagoog was hij actief in diverse scholen en organisaties. Als leraar was hij vier jaar verbonden aan de humaniora en muziekhumaniora te Hasselt.

Hij gaf ook les aan de muziekacademie in Beverst. Tegenwoordig doceert hij aan de Katholieke Hogeschool Limburg en aan de muziekacademies van Lanaken en Genk. Onder de impulsen van Jan Cober ontplooit hij zich als gastdirigent van zijn eigen composities.

Daarnaast is hij een regelmatige gast bij cursussen en workshops in binnen- en buitenland. Als componist schreef hij naast twee musicals reeds een veertigtal werken voor koor, kamermuziekensemble, blaasorkest en symfonisch orkest.

Verder schreef hij ook een aantal popnummers, muziek voor jeugdtheater, muziekbundels met een pedagogisch karakter en muziek voor kinderen, een medium waar hij erg mee vertrouwd is. Appermont behoort tot een nieuwe generatie van veelbelovende Belgische componisten in de omgeving van Jan Van der Roost , die authentieke werken componeren en zich daarmee de waardering van vakgenoten verwerven.

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Bert Appermont

Four elements or episodes of the story constitute the dramatic cornerstones of the composition. The piece opens with an emotional melody that depicts the person of Egmont and can be heard in various variations throughout the work. This is followed by a cheerful and virtuoso Renaissance dance which recalls the atmosphere of a midth century wedding party. It is not so much the celebration of the marriage between Count Lamoral of Egmont and Sabina of Bavaria which is depicted, but rather the mood of the party itself and the music that was played. Towards the end of this part, the music reveals more Spanish influences; indeed the Low Countries were occupied by Spain and Egmont was a faithful follower of the Spanish king for whom he had been victorious at several battlefields. A cunning and dark theme underpinned by a sweeping accompaniment on Spanish guitar ad lib and castanets symbolises the power-mad and tyrannical figure of Philip who seemed to have put a spell on Egmont and others forcing him to help the king in his reign of terror. Although he was known as a magnificent warrior, it is his vulnerability as a human being and the inner duality he is torn between his king and his people which are suggested here by the intimate sounds of the horn solo and the guitar arpeggios.

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