AVISHAI COHEN GENTLY DISTURBED SONGBOOK PDF

Grogar Allow you to connect to social sites Advertising: Featuring nine original compositions written either by Cohen or by the trio collaboratively including one traditional Israeli song, Gently Disturbed is an amalgamation of melody and groove, complexity and simplicity that nearly redefines the concept of jazz. Keep track of your visited pages and interaction taken Analytics: The product is already in the wishlist! Keep track about your location and region based on your IP number Analytics: However, this can result in some functions no longer being available. The Ever Evolving Etude. Gently Disturbed Avishai Cohen.

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Gently Disturbed is swinging, refreshing, and a pure joy. Having arrived in New York in , Cohen was hardly an overnight sensation. But, happily, at the age of 38, Cohen still sounds utterly fresh and contemporary. Gently Disturbed comes, in fact, as a kind of revelation. Everything that can be said in this format would seem to be out already, right?

Yet here comes a straight-up acoustic trio that manages it, without going to some obvious extreme. The tunes, mostly Cohen originals, set out for fresh territory by avoiding the standard patterns of jazz harmony. They set up original basslines, lock together interesting patterns in the manner of classical music but with much great rhythmic sophistication, and build intensity through counterpoint, repetition and displacement.

As a result, the group never gets to sounding typically "funky" or rocking, yet they still generate a great deal of heat. The overall sound, however, is not some kind of effete chamber jazz. Cohen and his band mates have found an ideal middle ground that seems, somehow, unplowed.

Take "Pinzin Kinzin", a tune collectively composed by the trio. It starts with a simple-sounding bass part in a time signature with 14 quick beats, grouped irregularly. With the entrance of the piano and drums, however, it becomes harder and harder to understand how the group is chopping up those 14 beats into any logical pattern.

Just when things may be getting lost, the instruments begin playing in a hard driving unison that seems funky, followed by a jagged divergence. In its own way, the tune "rocks", except not at all in the way that, say, the Bad Plus uses the energy of rock.

This seems more the mark of a group that locks together exceptionally well but is also not afraid to use a generous dose of technique and complication when it serves the energy of the music. There is a passage toward the end where every instrument is essentially playing a drum solo, and it raises hairs. Much credit must go to the young pianist Shai Maestro and drummer Mark Guiliana. Maestro is just 21 and, like Cohen, Israeli. His touch is confident but lyrical, audacious but within tradition.

On "Umray", Maestro begins with a touch of impressionism, but he keeps the tune moving and trades improvised passages with the leader with ease. On "Eleven Wives", however, he plays with rhythmic assertion, dominating the trio with both hands playing emphatically. Guiliana performs with a combination of melody and explosion.

Dig him on "Gently Distrubed", where he plays behind the steady three-against-four time of Cohen and Maestro in a freewheeling solo of muted bombs and rolls that contrast richly with the simple melody. His work on "Eleven Wives" carries traces of fusion bombast, perhaps, but he is mainly under control on these tunes, playing with intricate ease. Part of the freshness of Gently Disturbed comes from the two lovely traditional Israeli songs that the trio converts into compelling jazz balladry.

The bass solo is rich with superb recorded sound here and throughout , and the piano solo is even more lyrical, with Maestro at his most Bill-Evans-ish. These tunes allow the trio to get away with some gentleness without sounding icy or stagnant like the recent European trio records on ECM. The tunes here that sound the most composed, such as "The Ever Evolving Etude", are still playful. The Avishai Cohen Trio is hardly alone in suggesting the different ways that jazz can move forward without simply rehashing the traditions that are firmly centered on four-four swing rhythm, blues, and the harmonies of the American songbook.

Cohen, Maestro, and Guiliana use all of those ingredients, certainly, but they infuse their music with enough classical influence, music from around the world, and contemporary energy to make it fresh.

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Gently Disturbed is swinging, refreshing, and a pure joy. Having arrived in New York in , Cohen was hardly an overnight sensation. But, happily, at the age of 38, Cohen still sounds utterly fresh and contemporary. Gently Disturbed comes, in fact, as a kind of revelation. Everything that can be said in this format would seem to be out already, right? Yet here comes a straight-up acoustic trio that manages it, without going to some obvious extreme. The tunes, mostly Cohen originals, set out for fresh territory by avoiding the standard patterns of jazz harmony.

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AVISHAI COHEN GENTLY DISTURBED SONGBOOK PDF

Keep track of disturbedd you input in shopping cart Essential: This is story telling from beginning to end, and stories is serious fun for Cohen…. Most big websites do this too. Featuring nine original compositions written either by Cohen or avlshai the trio collaboratively including one traditional Israeli song, Gently Disturbed is an amalgamation of melody and groove, complexity and simplicity that nearly redefines the concept of jazz. Buy on Avishai Cohen store. Please enable JavaScript in your browser to use the site fully.

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AVISHAI COHEN SONGBOOK PDF

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